pposter - An advertisement, generally printed on a large piece of paper, which is posted on a wall in a public place. A poster may or may not be intentionally produced to become an art commodity as well as an advertisement (ephemera).

A printed reproduction of a two-dimensional work of art should not be called a poster unless it's intended to be an advertisement.

Examples of posters:

Listed chronologically by artist's birth year


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see thumbnail to rightNathaniel Currier (American, 1813-1888), Grand National Democratic Banner, 1844, hand-colored lithograph, 11 3/4 x 8 3/8 inches, National Portrait Gallery, Washington, DC. Promoting James K. Polk for president, George M. Dallas for vice-president.





see thumbnail to leftLouis John Rhead (American, 1857-1926) for The New York Sun, Read the Sun, 1895, color lithograph, 46 13/16 x 29 inches (118.9 x 73.7 cm), Metropolitan Museum of Art, NY.





see thumbnail to rightAdolphe Crespin (Belgium, 1859-1944), Poster for ’Paul Hankar, Architect’, 1897, color lithograph, 15 1/2 x 11 1/8 inches (40 x 29 cm), Los Angeles County Museum of Art. See architect and pattern.




see thumbnail to leftThéophile Alexandre Steinlen (French, 1859-1923), Chat Noir, color lithograph, a poster advertising an event at the Chat Noir, a Paris cabaret from 1881 to 1897. See Art Nouveau.





see thumbnail to rightHenri de Toulouse-Lautrec (French, 1864-1901), Divan Japonais, 1893, color lithograph, complete: 31 5/8 x 23 7/8 inches (80.3 x 60.7 cm), Museum of Modern Art, NY. This poster advertises a cabaret in Montmartre, Paris. In the center sits the famous cancan dancer Jane Avril, whose elegant black silhouette dominates the scene. Lithographed posters proliferated during the 1890s due to technical advances in color printing and the relaxation of laws restricting the placement of posters. Dance halls, café-concerts, and festive street life invigorated nighttime activities. Toulouse-Lautrec's brilliant posters, made as advertisements, captured the vibrant appeal of the prosperous Belle Époque. See Art Nouveau, and a page about Toulouse-Lautrec and Post-Impressionism.






see thumbnail to leftWilliam H. Bradley (American, 1868-1962) for Stone & Kimball (Chicago), The Chap Book: Thanksgiving Number, 1895, color lithograph, 19 5/8 x 18 7/8 inches (49.9 x 33.8 cm), Baltimore Museum of Art. See Art Nouveau.






see thumbnail to rightWilliam H. Bradley, Narcoti Chemical Co. (Springfield, Massachusetts), Narcoti-Cure, 1895, color lithograph, 20 x 13 1/2 inches (50 x 34 cm), Baltimore Museum of Art. The product advertised here was promoted as a cure for the cigarette smoking habit, although the curative value of using a narcotic to do it remains suspect.





see thumbnail to leftMaxfield Parrish (American, 1870-1966) for The Century Co. (New York), printed by the Thomas & Wylie Lithographic Co., The Century Midsummer Holiday Number, 1897, color lithograph, 47.1 x 30.6 cm (18 9/16 x 12 inches), Delaware Art Museum.





see thumbnail to rightStrobridge Lithography Company (American), Lillian Russell (American actress, 1861-1922), c. 1900, chromolithograph, National Portrait Gallery, Washington, DC.




see thumbnail to leftLudwig Hohlwein (German) designer, Zoologischer Garten München, 1912, lithograph, 49 1/4 x 35 3/8 inches, (125.1 x 89.9 cm), Museum of Modern Art, NY.









see thumbnail to rightSavile Lumley (British, 20th century), Daddy What Did You Do in the Great War? about 1915, lithograph, Hood Museum of Art, Dartmouth College, NH.






see thumbnail to leftJames Montgomery Flagg (American, 1877-1960), I Want You for U.S. Army, 1917, chromolithograph, 39 1/2 x 29 1/8 inches (100.4 x 73.8 cm), National Museum of American Art. Flagg's version of Uncle Sam is a self-portrait. Used for recruitment during World War I and again during World War II, his popular poster demonstrates the commanding effectiveness of a strong design and simple message. See icon and illustration.



see thumbnail to rightRussian, Literacy is the path to communism, 1920, Gosizdat, publisher, Moscow, lithographed poster, 72 x 54 cm. See propaganda and Russian art.




see thumbnail to leftA. M. Cassandre [pseudonym of Adolphe Jean-Marie Mouron] (born in the Ukraine 1901, died 1968, worked in France and the USA), L´Intransigeant, Le plus fort, 1925, lithograph in black, blue, red and gold inks, Kunstbibliothek, Berlin.





see thumbnail to rightAmerican, Warner Brothers Motion Picture Studios, The Jazz Singer, 1927. This poster advertises the first major "talking picture." It starred Al Jolson, and was directed by Alan Crosland.





see thumbnail to leftAmerican, for Walt Disney (American, ), Joseph M. Schenck Presents Walt Disney's Mickey Mouse in "Ye Olden Days," 1933, color lithograph, 41 x 27 inches (104.1 x 68.6 cm).





see thumbnail to rightJ. Howard Miller (American), for the Westinghouse War Production Co-Ordinating Committee, We Can Do It!, c. 1942, poster.




see thumbnail to leftBritish, One is Either a German or a Christian, c. 1942-43, poster, Number 14 in a series. See propaganda.




Norman Rockwell (American, 1894-1978), Save Freedom of Speech, Buy War Bonds, 1943. A young blue-color worker stands up to express his opinion at a New England town meeting. This is one of a set of pictures Rockwell painted on the "Four Freedoms" -- freedom of speech, freedom of worship, freedom from want, and freedom from fear.





see thumbnail to rightGlenn Grohe (American, 1912-1956), He`s Watching You, c. 1942, gouache on cardboard, poster commissioned by USA government, National Archives and Records Administration, Washington, DC. See propaganda.






see thumbnail to leftMilton Glaser (American, 1929-), Bob Dylan, color lithograph, 1967. Milton Glaser may be the most influential graphic designer of our time.






see thumbnail to rightWes Wilson (American, 1937-), West Coast Lithograph Co. (San Francisco), Bill Graham Presents . . . at the Fillmore Auditorium, 1966, color lithograph, 19 x 13 3/4 inches (48.3 x 34.9 cm).



see thumbnail to leftChina, Masses of the People March in support of the revolution, holding the red flag and the red book of Mao's writings, from the People's Republic of China's period known as the Cultural Revolution, 1966-1976, poster, Burke Museum, U of WA, Seattle. See Chinese art.



see thumbnail to rightLorraine Schneider (American, 1925-1972), for the Los Angeles organization Another Mother for Peace (AMP), war is not healthy for children and other living things, a Vietnam War protest poster, 1967, offset lithograph.



see thumbnail to leftArt Workers Coalition, Q. And babies? A. And babies, a Vietnam War protest poster, 1969.



TBWA Chiat/Day (American advertising agency), Apple Computers "Think different" advertising campaign, 1980s and 1990s.
Images of fourteen posters Apple distributed as part of that campaign: Mohammed Ali 1 and 2, Neil Armstrong on the Moon, Joan Baez, Maria Calas, Dalai Lama, Miles Davis, Bob Dylan, Albert Einstein, Mahatma Gandhi, Jim Hensen, Alfred Hitchcock, John Lennon and Yoko Ono, and see thumbnail to leftPablo Picasso 1 and 2. See different.



Fallon McElligott, The one on the left will finish high school before the one on the right, Children's Defense Fund poster, 1984.





see thumbnail to rightDavid Lance Goines (American, 1945-), Chez Panisse Café & Restaurant, Twenty-First Birthday, 1992, photo-offset lithograph, 60.9 x 44.4 cm (24 x 17 1/2 inches), Smithsonian American Art Museum, gift of the artist.



see thumbnail to leftCoalition For The Homeless, How Can You Worship A Homeless Man On Sunday And Ignore One On Monday?, offset lithograph, 1990s?, New York, NY.






see thumbnail to rightAmerican, Bush-Cheney Campaign Poster: Negative 2.6 Million Jobs Created and Counting, 2004. This is a satirical poster produced by an opponent to President George W. Bush. The unnamed designer was a visitor to the White House Web site who added the text at the top by using the "Sloganator" software posted there (but no longer). See subliminal message.





see thumbnail to leftHuanwu Zhai (American, contemporary), What will you remember most about turning 18?, 2004, poster. Click on the title to download an 11 x 17 inch PDF file. You'll need Adobe's free Acrobat Reader software to open and read this file. If you don't have it, download it by clicking here. This poster is one of numerous "get out the vote" posters designed by members of AIGA. The fraction of registered 18-24 year old American voters who actually voted in the November 2004 election was 25%. If 50% had voted, George W. Bush would not have been elected to a second term. See tattoo.

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Also see ephemera, fluorescent colors, graphic arts, graphic design, illustration, illustrator, memorabilia, and propaganda.






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