gold - A soft, yellow, non-corrosive element, the most malleable, ductile, and incorruptible metal. Today it is most often used as an international monetary standard, in jewelry, for decoration, and on various manufactures. Gold can be cast, embossed, inlaid, or worked as wire, foil, or leaf.

 

Examples of works in gold:

 

 

see thumbnail to leftRussia, North Caucasus, Maikop Burial Mound, Figure of a Bull, 3rd millennium BCE, gold, height 6 cm, Hermitage Museum, St. Petersburg, Russia.

 

 

 

 

see thumbnail to rightMesopotamia, Royal Cemetery at Ur, Gold Helmet of King Meskalamdug, c. 2400 BCE, repoussé gold, height 22 cm, greatest diameter 26 cm. The decoration of the helmet simulates the king's crown, hair, and ears. Holes drilled along the lower edges enabled the attachment of an inner helmet. This is one of many Mesopotamian objects that have recently been lost or stolen from Iraq's museums, and have yet to be recovered. The Oriental Institute of the U of Chicago has posted a database of treasures that have been lost or stolen from Iraq. See arms and armor.

 

 

 

 

 

 

 

see thumbnail to leftProbably Southern Germany, Conical Hat with Brim, Late Bronze Age (1000 BCE), gold sheet with embossing, height 74.5 cm, weight 490 grams, Museum für Vor- und Frühgeschichte, Berlin. See crown.

 


 

see thumbnail to rightRussia, Krasnodar Region, Kuban area, Kelermes burial mound N1, Shield Emblem in the Form of a Panther, late 7th-early 6th centuries BCE, gold, enamel, 16.2 x 32.6 cm, Hermitage Museum, St. Petersburg, Russia.


 

 

 

see thumbnail to leftGreece, Temple Pendant with the Head of Athena Parthenos, first half of the 4th century BCE, gold, enamel, State Hermitage Museum, St. Petersburg, Russia. See pendant.

 

 

 

see thumbnail to rightBosporan Kingdom (Black Sea Coast), in Greek style, Necklace (Pectoral), first half of the 4th century BCE, gold, enamel, diameter 18.4 cm, State Hermitage Museum, St. Petersburg, Russia. See pectoral.

 

 

see thumbnail to leftHellenistic, Phiale, c. 300 BCE, repoussé gold, diameter 23 cm, Metropolitan Museum of Art, NY. In the center of this phiale is a large boss representing the omphalos, the mythic navel of the universe. A radial pattern of acorns and bees, each symbolizing the earth's "victual in plenty," as described by Hesiod. See Hellenistic art.

 

 

see thumbnail to rightGreek, Alexandria, Egypt, 220 BC - 100 BCE, Hairnet, gold, garnet, and glass paste, 8 1/2 x 3 1/8 x 3 inches (21.5 x 8 x 7.5 cm), J. Paul Getty Museum, Malibu, CA.

 

 

see thumbnail to leftPanama, Double Eagle Pendant, 1st-5th century CE, Initial Style, cast gold, height 4 3/8 inches (11.1 cm), Metropolitan Museum of Art, NY. See jewelry and Pre-Columbian art.

 

 

 

see thumbnail to rightCosta Rica, Puntarenas Province, Chiriquí, Frog Pendant, 11th-16th century, cast gold, height 4 1/8 inches (10.5 cm), Metropolitan Museum of Art, NY. See jewelry and Pre-Columbian art.

 

 

Chinese, Cloth of Gold, after 1220, cloth of gold, lampas weave, silk and gold thread, height 134.5 cm, Cleveland Museum of Art.

 

 

Maison (House of) Froment-Meurice, goldsmiths under the direction of François-Désiré Froment-Meurice (French, 1802-1855), in collaboration with the architect Duban, sculptors Feuchère and Geoffroy-Dechaume, ornamenter [decorator?] Liénard, enamelers Sollier, Grisée, and Meyer-Heine, The Duchess of Parma's Golden Casket of Toiletries, partially gilt, copper-gold, enamel on copper, blue glass, emeralds and garnets, c. 1847, 42.6 x 35.8 x 27.5 cm, Musée d'Orsay, Paris.

 

 

 

see thumbnail to rightAmerican, designed by Augustus Saint-Gaudens (American,1848-1907), Double Eagle, 1907, 90% gold, 10% copper, obverse and reverse. Augustus Saint-Gaudens was commissioned to re-design the coinage of the United States so that it would compare favorably with the "beauty and dignity" of ancient Greek coins. See numismatics.

 

 

 

see thumbnail to leftJosef Hoffmann (Austrian, 1870-1956) for Wiener Werkstätte, Square Brooch, silver lattice, repoussé gold, and opal, c. 1905. See Art Nouveau, jewelry, opalescence, and secession.

 

 

 

Gold is usually alloyed to increase its strength, "24 karat" signifying pure, lower numbers proportionately less pure. When used for sculpture, gold is generally alloyed with copper or silver. Gold's atomic symbol Au; atomic number 79; atomic weight 196.967; melting point 1,063.0°C; specific gravity 19.32; valence 1, 3. Also, a light olive-brown to dark yellow color, or a moderate, strong to vivid yellow.

 

 

Also see electroplate, gilding, gilt or gilded, gold leaf, Golden Mean, and ormolu.

 

 

 

 

ArtLex Art Dictionary

http://www.artlex.com
Copyright © 1996-current year